⭐⭐⭐⭐⭐ Gail Collins When Everything Change

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Gail Collins When Everything Change

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When Everything Changed by Gail Collins

Although his true form has never been seen, it is known that he has two feathered wings. When Castiel becomes a seraph, he describes himself to Samuel Campbell as a "multidimensional wavelength of celestial intent" [6] and his true form is " approximately the size of your Chrysler Building " [14] in height. As he was promoted to a seraph, it stands to reason his true form has changed to one of a seraph's. It is presumed to be very tremendous and terrifying, as the mere image of it was enough to cause Crowley to flee in fear of being smited.

In addition, Castiel has been referred to as being attractive on more than one occasion, both in his human vessel and his true angelic form. One female demon , while talking with Crowley, once instantly said Castiel was, as she said in her words, hot, as she also said, " I mean, human Castiel? But, feathered Castiel? Though he has since regained the remnants of his grace and been restored to full power, his wings are broken. For humans, they see him as the appearance of his vessel, Jimmy Novak , who is a handsome man of average height in his thirties. He sports a pair of dress shoes, a black suit, a buttoned white-striped dress shirt, and loosened blue necktie accentuated by a beige trench coat. Although he has a very dire demeanor, his outward appearance radiates a natural calm and serenity which makes conversation easy and direct.

Since his third resurrection, his appearance has changed. He lost his trench coat upon his third death and when he became amnesic, he wore different clothes. Upon regaining his memories, Dean gave him back his trench coat, but he still wore Emmanuel's clothes until he became insane. While insane he wore his trench coat and hospital scrubs. While in Purgatory he retained the same outfit, albeit extremely dirty and torn off. Castiel also grew a beard and his hair became messier. After returning from the monster realm, Castiel returned to his original appearance. He kept this until he lost his grace and became human. While he initially kept his usual clothes, they became dirty and he was unable to clean them and get food and water so he abandoned the trench coat and suit and took to wearing more casual human clothes, though he did wear a suit when he pretended to be an FBI agent.

After becoming an angel again, Castiel donned a new suit and trench coat, albeit not as accented as his previous trench, nor as long. He at first didn't wear a tie like before, but after a suggestion from Claire Novak that he looked better in a tie, Castiel donned the blue striped tie from his FBI suit and continued to wear it in the next seasons. As of Season 13, Castiel returns to his classic attire of seasons with a new black suit, and trench coat. His tie is once again a single shade of blue. In , Castiel possessed a female vessel and dressed as a woman from that era. Notably, he wore a coat very similar to the trench coat he wore in his first appearance. It is safe to say that, like most angels, Castiel does prefer to retain his vessel's original appearance and clothing.

He does not seem to have a high fashion sense, preferring neatness over beauty. Like most angels , Castiel expresses little to no emotion, which creates flaws and complexities in his persona. Despite this, he does not display the blank apathy or mocking superiority that seem to characterize angels such as Uriel or Lucifer. His lack of emotion and understanding of human behavior such as sarcasm has led to several humorous situations throughout the show, and has occasionally gotten him into trouble with humans, ultimately leaving Dean or Sam to amend the situation. He does, however, become close friends with the brothers, who encourage him to be kinder, more caring and more selfless.

Unlike some of his brethren, Castiel still has faith in God , though not to the zealot-like extent displayed by Michael. While he admits he may not always understand what God wants and may question his reasoning, Castiel always follows his father to the best of his abilities. Anna Milton and Lucifer have both displayed this attitude, with Anna calling him a hypocrite for refusing to rebel in order to gain more freedom. Castiel briefly loses this faith after Joshua reveals that God doesn't care and falls into a depression for some time. However, when God resurrects him for a second time, his faith returns. Castiel frequently exhibits what could be referred to as affection towards Dean, and seems to express regret, hesitance, and anger at several points.

Being around the Winchesters, paired with his experiences in the War, have taught Castiel several "tricks" that have helped him during the show. While not possessing free will in the same sense as a human, Castiel has learned how to bend the rules at times, like in season 4. He was also able to distract Meg long enough to use her. This was similar to a trick Uriel performed to free Alastair , Castiel used Meg for his trick to free himself, from a ring of holy fire Abandon All Hope. It is also possible he learned from the demon Crowley to wipe out loyalists of his adversary, Raphael. Castiel also considers himself to be the Winchester's personal guardian angel.

When Castiel is brought back from the dead after Lucifer kills him, his personality begins to shift. During Season 6 , Castiel becomes more prideful. It is because of this pride that Castiel makes a deal with Crowley , and starts the civil war in heaven. During this time Castiel showed extremely high ambition, doing everything he could to open the door of Purgatory. He also displayed his intelligence, being capable of tricking Dean, Sam, Raphael, and even Crowley well known as a crafty trickster. Upon absorbing the souls, Castiel's hubris grew to the extent that he claimed to be the new God. It was later revealed that others, such as Death , thought of him only as a mutated angel.

Previously acting kind, assuring, and fierce at times, Castiel had now become almost purely cold and absolute in his decisions. This is displayed when he kills Raphael without any second thoughts. Mere seconds later, he demanded that Dean, Bobby, and Sam kneel before him and be by his side. Castiel claimed he would destroy them if they forgot their place and rose up against him. However, he still had some lingering affection for them, trusting them enough to leave them alone. They soon realized that he was out of control and that being influenced by the Leviathans. Later, when Castiel returns to his original personality, he feels incredibly guilty and goes back to his friends for help.

Knowing Dean is furious with him for breaking Sam's wall , Castiel expresses true remorse for his actions and swears to do all he can to make up for what he did. After his third resurrection, Castiel lost his memories and took on a more human personality, though he was still more distant than normal humans. He expressed affection for his wife Daphne Allen , and retained his desire to help people as shown by the fact that when he rediscovered his healing powers, he used them to heal people in need, also showing great compassion.

While shocked by the existence of demons, he took it relatively well once it was explained to him. He was perceptive enough to realize that Dean couldn't forgive "Cass" for what he had done and felt betrayed and that he himself was the Cass mentioned after overhearing some of Dean's conversation with Meg. In his human mindset, he had no idea of what he was capable of and was nervous with the idea of using his powers to kill demons when he had no idea how.

However, despite this, he displayed courage in agreeing to try and seemed to still possess an instinctual knowledge of how to use them as he quickly figured out what to do. After recovering his memories, Castiel's normal personality more or less returned, and he was overcome with guilt over what he had done, how many he had killed, and for releasing the Leviathans, even questioning why he was still alive. Following his awakening, his personality was greatly modified, due to a combination of what he had taken from Sam and his own guilt.

It made him inattentive, overly calm, uncaring and seemingly dim. He also became a pacifist, and refused to fight, even when being attacked, as well as being overly optimistic, perceiving many negative things in a positive way. During this time he developed a unique relationship with Meg, a demon, as she was his caretaker during his insanity. He showed open attraction to her, calling her a "thorny beauty". Although Meg doesn't return the feelings at the start, a year later she openly flirts with Castiel, and Castiel seemingly returns the attraction.

In Survival of the Fittest , Castiel explains that his pacifism comes from being afraid of causing more damage with his actions. However, he agrees to break his pacifism and help stop the Leviathans, possibly out of loyalty to Dean as he agrees after Dean says he'll likely die trying to stop them. After agreeing, he doesn't hesitate to fight, helping to dispatch Royce and getting in front of Dean to protect him from Dick Roman and later restraining the Leviathan leader so Dean can kill him. Castiel also displays a bleak view on his resurrections: instead of believing it to be a gift from God for his service, he now sees his resurrections as punishment for his actions, telling Dean "I see now it's a punishment resurrection, it gets worse every time.

After he and Dean were sent to Purgatory, his sanity and original personality was restored, although he himself states nobody could ever be sure if he is indeed sane. Following his return in A Little Slice of Kevin , Castiel displayed a slightly more laid-back personality and a much less detached persona and showed human emotions as well as a taste for human things, as he commented how he missed watching TV. He has also developed a strong desire for penitence, looking for anyway possible to redeem himself for the devastation he caused Heaven and his fellow angels.

Since becoming human briefly, Castiel has become more human. He expresses more of an appreciation for human things and develops more human emotions such as romantic attraction. He also became less serious, drinking a beer with Sam and Dean and joking around. He proved to be good enough at being human that he was able to fool law enforcement and pose as an FBI agent, something he could never do successfully before even with coaching from Dean. Even after becoming an angel again, Castiel hasn't seemed to lose his human emotions, getting very angry when he realized who Gadreel was and freely expressing it and comforting a distraught Dean, understanding why he was so upset rather than being confused as he would have been in the past.

While briefly human, he was ready to embrace his new status, excited to have Sam and Dean as his teachers and seemed to see his return to being an angel as a necessary evil more than something he wanted and called his stealing of the grace of Theo as barbaric and something that made him as bad as the other angels. Whenever things got interesting, women seemed to vanish from the scene. There was no such thing as a professional female athlete -- even in schools, it was a given that sports were for boys. An official for the men-only Boston Marathon opined that it was "unhealthy for women to run long distances.

Nothing sent the message about women's limited options more forcefully than television, which had just finished conquering the nation with a speed that made Alexander the Great look like an underachiever. In , only about nine percent of American homes boasted a set, but by , nearly 90 percent of families had a TV and those who didn't were feeling very deprived indeed. Beverly Burton, a Wyoming farm wife, had been estranged throughout the s from a mother who had once told her she was sorry Beverly had ever been born. When her mother decided to mend fences, she sent Burton a note saying "I hope this will cover the past" — attached to a television set. And it did indeed turn out to be a turning point in the relationship. The postwar generation that was entering adolescence in the s had grown up watching Howdy Doody, the must-see TV for the first wave of baby boomers.

Howdy was a raucous puppet show in which the human performers interspersed broad physical comedy with endless pitches for the sponsors' products. The Princess, played by a teenage singer named Judy Tyler, was the only long-running female in Howdy Doody's crowded cast. The character had been created when a producer realized "we could sell a lot of dresses if only we had a girl on the show" and spent most of her time expressing concern about plot developments taking place while she was offstage. Adults approved. But the stuff that made kids love the show — the broad comedy and bizarre plots -- were all on the male side of the equation.

Princess Summerfall Winterspring sang an occasional song, and watched. The more popular and influential television got, the more efficiently women were swept off the screen. In the s, when the medium was still feeling its way, there were a number of shows built around women — mainly low-budget comedies like Our Miss Brooks, Private Secretary and My Little Margie. None of them were exactly role models — Miss Brooks was a teacher who spent most of her time mooning over a hunky biology instructor and Margie lived off her rich father. But the shows were unquestionably about them. And the most popular program of all was I Love Lucy, in which Lucille Ball was the focus of every plotline, ever striving to get out of her three-room apartment and into her husband Ricky's nightclub show.

But by television was big business and if women were around at all, they were in the kitchen, where they decorously stirred a single pot on the stove while their husbands and children dominated the action. When a script did turn its attention to the wife, daughter, or mother, it was frequently to remind her of her place, and the importance of letting boys win.

On Father Knows Best younger daughter Kathy was counseled by her Dad on how to deliberately lose a ballgame. Teenage daughter Betty found happiness when she agreed to stop competing with a male student for a junior executive job at the local department store, and settled for the more gender-appropriate task of modeling bridal dresses. In dramatic series, women stood on the sidelines, looking worried. When Betty Friedan asked why there couldn't be a female lead in Mr. Novak — which was, after all, a series about a high school teacher — she said the producer explained: "For drama, there has to be action, conflict. The crew quickly noticed that the captain was manicuring his nails at the helm and having hysterics over the least little thing.

Cowboy action series were the best-loved TV entertainment in Eleven of the top 25 shows were Westerns, and they underlined the rule that women did not have adventures, except the ones that involved getting kidnapped or caught in a natural disaster. Perhaps to underline their heterosexuality, the Cartwright men had plenty of romances. But the scriptwriters killed their girlfriends off at an extraordinarily speedy clip.

The family patriarch, Ben, had been widowed three times, and his three sons all repeatedly got married or engaged, only to quickly lose their mates to the grim reaper. Before the first commercial, the poor girl was murdered on her way home from the hoedown. TV created the impression that once married, a woman literally never left her house. If the viewers knew that really wasn't true, many did accept the message that when matrimony began, working outside the home ended. In reality, however, by there were as many women working as there had been at the peak of World War II, and the vast majority of them were married.

Young single adult women were, as we'll see, as rare as female action heroes at this point in history. More than 30 percent of American wives were holding down jobs, including almost 40 percent of those with school-age children. Yet to look at the way Americans portrayed themselves on television, in newspapers and magazines, you'd have thought that married women who worked were limited to a handful of elementary school teachers and the unlucky wives of sharecroppers and drunkards.

Marlene Sanders, one of the very few women who managed to do on-the-air reporting for network television, left in to give birth to a son. She hired a housekeeper and offered a male college student free room and board in return for filling in when she, her husband, and the housekeeper were all unavailable. It seemed to work, but Sanders had no idea whether the arrangement was normal or bizarre. She knew no other working mothers and there was, she said, "no public discussion of the child-care problems of working couples.

If all the working women were invisible it was in part because of the jobs most of them were doing. They weren't sitting next to Sanders in the network news bureaus. They were office workers — receptionists or bookkeepers, often part-time. They stood behind cash registers in stores, cleaned offices or homes. If they were professionals, they were — with relatively few exceptions -- in low-paying occupations that had long been defined as particularly suited to women, like teacher, nurse or librarian.

The nation's ability to direct most of its college-trained women into the single career of teaching was the foundation upon which the national public school system was built and American tax rates were kept low. Women graduates' salaries were significantly lower, probably in part because so many of them were going into teaching. Another reason the nation ignored the fact that so many housewives had outside jobs was that working women tended not to be well-represented among upper income families. The politicians, business executives, editors and scriptwriters who set the tone for the public discussion usually felt that not working was simply better.

After the war, Americans had a powerful and understandable desire to settle down and return to normal. Since they were doing so in an era of incredible economic growth, it was easy to decide that stay-at-home housewives were part of the package. Women could devote all their energies to taking care of their children and husbands politicians, businessmen, and editors included. If some of them wanted a break from domestic routine, they could volunteer to work on the PTA or, if they were wealthy enough, the charity fashion show.

Men were supposed to be the breadwinners. Gail was also the aunt of model and actress Lala Sloatman. In , Gail Zappa founded the Zappa Family Trust, a holder of the title and copyright to Frank Zappa's musical and artistic products, as well as his commercial image. In , the Trust was given to her son Ahmet shortly before she died of lung cancer. She was named after her maternal grandmother, Adelaide Silva. She grew up in Hollywood , and lived with her family in London, where her father was posted in , and attended Marymount International School. She also modeled for photographer Terence Donovan. After returning to Los Angeles, she met producer Kim Fowley , and recorded a spoken word single with him as "Bunny and Bear".

The record is a satire of Sonny and Cher. Gail made a very brief appearance with then musician boyfriend Bobby Jameson in the documentary film Mondo Hollywood , filmed in They married in a civil ceremony in New York on September 21, , late in her pregnancy with Moon Zappa , born a week later. The marriage also produced children Dweezil , Ahmet and Diva Zappa. Gail had a fraught relationship with her oldest daughter, Moon, which seemed to have been repaired at the end of Gail's life.

But, upon her death, it was revealed that the Zappa estate would not be divided equally among the four Zappa children, leaving Moon and Dweezil in a weaker financial position. Frank Zappa also named Barking Pumpkin Records after his wife's chronic obstructive pulmonary disease , or smoker's cough. At the time of his death in , Frank urged Gail to withdraw from the music business, but never clarified what was to be done with his publishing catalog.

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