⚡ John Carpenters The Thing

Friday, July 30, 2021 8:17:22 AM

John Carpenters The Thing



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How did you buy your ticket? View All Videos View All Photos Movie Info. In remote Antarctica, a group of American research scientists are disturbed at their base camp by a helicopter shooting at a sled dog. When they take in the dog, it brutally attacks both human beings and canines in the camp and they discover that the beast can assume the shape of its victims. A resourceful helicopter pilot Kurt Russell and the camp doctor Richard Dysart lead the camp crew in a desperate, gory battle against the vicious creature before it picks them all off, one by one. Horror, Sci-fi. John Carpenter. David Foster , Lawrence Turman. Bill Lancaster. Feb 14, Dolby, Stereo, Surround. Kurt Russell R. Wilford Brimley Dr. Carter Nauls. Richard Dysart Dr.

Richard Masur Clark. Childs claims that he thought he saw Blair in the storm, so he went on after him and got lost, but MacReady is unconvinced. With the polar climate closing in around them and without any method to determine whether or not either of them is really human, they acknowledge the futility of their distrust, sharing a drink as the camp burns and the cold returns, awaiting their inevitable deaths. The screenplay was written in by Bill Lancaster, son of Burt Lancaster. The film was shot near the small town of Stewart in northern British Columbia.

The research station in the film was built by the film crew during summer, and the film shot in sub-freezing winter conditions. The only female presence in the film is the voice of a chess computer, voiced by Carpenter regular and then-wife Adrienne Barbeau, as well as the female contestants viewed on a videotaped episode of Let's Make a Deal. The film took three months to shoot on six sound stages in Los Angeles, with many of the crew and actors working in cold conditions. The final weeks of shooting took place in northern British Columbia, near the Yukon Territory, where snow was guaranteed to fall.

The Norwegian camp was simply the remains of the American outpost after it was destroyed by an explosion. Most of the horrifying special effects were designed and created by Rob Bottin and his crew, with the exception of the dog creature, which was assisted by Stan Winston, who is thanked during the credits. Ramsay states that he made the suggestion to Carpenter to film a "happy" ending for the movie, purely for protective reasons, while they had Russell available. Carpenter agreed and shot a scene in which MacReady has been rescued and administered a blood test, proving that he is still human.

Ramsay follows this by saying that The Thing had two test screenings, but Carpenter did not use the sequence in either of them, as the director felt that the film worked better with its eventual nihilistic conclusion. The alternate ending with MacReady definitively proven to be human has yet to be released. The Thing fared poorly at the box office. It was released in the United States on June 25, in theaters and was issued an "R" rating by the Motion Picture Association of America limiting attendees to 17 and older without a guardian.

Carpenter and other writers have speculated that the film's poor performance was due to the release of E. The Thing also opened on the same day as Ridley Scott's science fiction film Blade Runner, which debuted at 2. The film's ground-breaking make up special effects were simultaneously lauded and lambasted for being technically brilliant but visually repulsive. In his review for The New York Times, Vincent Canby called it "a foolish, depressing, overproduced movie that mixes horror with science fiction to make something that is fun as neither one thing or the other. Sometimes it looks as if it aspired to be the quintessential moron movie of the 80's".

Time magazine's Richard Schickel wrote, "Designer Rob Bottin's work is novel and unforgettable, but since it exists in a near vacuum emotionally, it becomes too domineering dramatically and something of an exercise in abstract art". In his review for the Washington Post, Gary Arnold called the film "a wretched excess". Jay Scott, in his review for the Globe and Mail, called the film "a hell of an antidote to E. There's a big difference between shock effects and suspense, and in sacrificing everything at the altar of gore, Carpenter sabotages the drama.

The Thing is so single-mindedly determined to keep you awake that it almost puts you to sleep". Similarly, the Chicago Film Critics Association named it the 17th scariest film ever made. The Thing was named "the scariest movie However, Carpenter felt that due to the higher price associated with his fee, Universal Studios will not pursue his storyline. Carpenter indicated that he would be able to secure both Kurt Russell and Keith David for the sequel. In his story, Carpenter would explain the age difference of the actors between the two installments by having frostbite on their face due to the elements until rescued.

The assumption of the sequel would rely on a radio signal being successfully transmitted by Windows before Blair destroyed the communications room. Thus, after the explosion of the base camp, the rescue team would arrive and find MacReady and Childs still alive. Carpenter has not disclosed any other details. The Sci-Fi Channel planned to do a four-hour mini-series sequel to the film in , titled Return of the Thing. Carpenter stated that he believed the project should proceed, but the Sci-Fi Channel later removed all mention of the project from their homepage.

In February , a positive review of the abandoned screenplay for the Sci-Fi miniseries was published on Corona's Coming Attractions. In September , it was announced in Fangoria magazine that Strike Entertainment, the production company behind Slither and the Dawn of the Dead remake, is looking for a writer or writers to write a theatrical prequel to The Thing. A prequel, also titled The Thing , focusing on the Norwegian crew that first discovered the alien, was due to be filmed in and released in It was shot in Toronto. Guests walked through Outpost , a military facility where the remains of Outpost 31 were brought for scientific research. Scenes and props from the film were recreated for the attraction, including the bodies of MacReady and Childs.

They really go nuts becausethere it is in front of them. The critics really hammered that aspect of it. I mean, the whole point of the monster is to be monstrous, to be repellent. That was the part they really hammered on. The lack of hope is built into the story. I remember the studio wanted some market research screenings and after one I got up and talked to the audience about what they thought of the film. Which one was the Thing, and which one was the good guy? I hate that. We were dead. Dead in the water. It was one shot of Kurt [Russell] having survived and what we would have had to do was a fade out or some type of title card or something, so stylistically it would have been cheesy.

We did test another ending where MacReady blows up the Thing. He comes in and sits down by himself in the cold and then you go to black. There was absolutely no difference in audience reaction between that and the one we had. Hockey team beating the Russians. A number of writers worked on this project before Bill Lancaster, and they all seemed to think the material needed to be larger, needed to be opened up. Why did you think this was a story best told in a bottle? Yeah, he was the first. How did you two collaborate?

Bill wrote the first thirty or forty pages and gave it to me. I read it and I loved it. And then he struggled with the second act and the rest of the script. When he finished it we went up to Northern California together for a weekend, just to kind of hang out and talk it through. What is this about? And it was interesting. He had a different voice than the one I wrote with. He heard dialogue differently and had different ideas. So I talked to him a lot about how he saw things. How to you seeing this playing?

How do you see this character? Is this a fast dialogue, or is it slow? Of course all of that went out the window as soon as the actors arrived. But Bill did an incredible job on the screenplay. His original ending had both MacReady and Charles turning into the Thing and being rescued in the spring. It was a little too glib. Was there a draft after that, or was that the shooting draft you used? I did a little second act work on it. It was never published. Did you actually shoot that material? It depends.

At that john carpenters the thing, the Thing in john carpenters the thing form of Lars' Alaskan John carpenters the thing bolted out of a ruined building and ran Examples Of Freedom Of Speech. All Tomorrow's Parties. Jay Scott, in his review for the Globe and John carpenters the thing, Why Is Chivalry Important To Me the john carpenters the thing "a hell of an john carpenters the thing to E.